Rosenboom will be a presenter and participant in this major international gathering of key figures influencing how higher education in music is responding to the rapidly changing world of creative musical forms and professional directions. Rosenboom's presentation is titled: Collapsing Distinctions—The Performer-Composer as Metaphor for Transcultural and Transmodern Music Education in The Herb Alpert School of Music at California Institute of the Arts. [Click event heading for more information.]
Sep 9 2017 - 9:00am to Sep 13 2017 - 6:00pm
Rosenboom will participate as professor in this week-long seminar organized by Festival Nueva Ópera Buenos Aires, CETC (Center for Experiments at Teatro Colón), and Fundación Williams in collaboration with CalArts, Universidad Nacional de San Martín, and other organizations. He also collaborated on the innovative curriculum for this project. [Click on event link for more information.]
Jul 31 2017 - 9:00am to Aug 6 2017 - 6:00pm
Rosenboom will perform live electronic works with the unique Geluso 3D Sound Object at ISSUE Project Room in Brooklyn as part of the 2017 New York Electronic Arts Festival presented by Harvestworks Digital Media Art Center. A new piece created for the event, Nothingness is Unstable, will also blend in excerpts from The Experiment for moving voice sounds responding to brainwaves, originally written for Hopscotch (mobile opera for 24 cars produced by The Industry in L.A.). A performance by vocalist, sound artist, and composer Viv Corringham will also be presented on this event. [Click above for more information.]
Jul 14 2017 - 8:00pm

" David Rosenboom is a composer, performer, interdisciplinary artist, author and educator known as a pioneer in American experimental music. Since the 1960s, he has explored ideas about the spontaneous evolution of musical forms, languages for improvisation, new techniques in scoring for ensembles, multi-disciplinary composition and performance, cross-cultural collaborations, performance art and literature, interactive multi-media and new instrument technologies, generative algorithmic systems, art-science research and philosophy, and extended musical interface with the human nervous system."

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