"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

With Humbert, J. (Ed.) & G. Manupelli. (Santa Clarita, CA: Chez Hum–Boom Publications and Aesthetic Research Centre of Canada). A set of piano–vocal scores. [Distributed by Frog Peak Music, Hanover, NH.]

Interview by Davis, B. (January/February 1978). Synapse, 42. (Los Angeles), 18–19

[PDF AVAILABLE FOR DOWNLOAD] On Being Invisible: I. The qualities of change (1977), II. On being invisible (1978), III. Steps towards transitional topologies of musical form (1982). Musicworks, 28. (1984). (Toronto: Music Gallery), 10-13.

[PDF AVAILABLE FOR DOWNLOAD] A joint review of two books:

Churchman, C.W. (1972). The design of inquiring systems: basic concepts of systems and
organization. (New York: Basic Books).

Valenstein, E.S. (1973). Brain control. (New York: John Wiley & Sons).

Description of performance art project.
Rosenboom, D. & J. Humbert. In Parallelogram Retrospective, 1976-1977. (Montreal: Association of Non–Profit Artists' Centers), 138–139.

In Zimmermann, W. Desert plants: conversations with 23 American musicians. (Cologne and Vancouver: Beginner Press and Aesthetic Research Centre of Canada Publications), 183-192.

In Byron, M. (ed.). Pieces: a second anthology. (Toronto: Michael Byron Pub.), 105-114.
Also in Musicworks, 28. (1984). (Toronto: Music Gallery), 10-13.

Vancouver: Aesthetic Research Centre of Canada. [Distributed by Frog Peak Music, Hanover, NH.]

In Proceedings of the Second Annual Music Computation Conference, Part 4, Information Processing Systems. (Urbana, IL: Office of Continuing Education in Music, University of Illinois), 54-78.

Japanese translation.
Transonic, 3. (Tokyo: Zen–On Music Co.)

Description of biofeedback installation piece.
In Grayson, J. (ed.). Sound sculpture. (Vancouver: Aesthetic Research Centre of Canada Publications), 128-131.

[PDF AVAILABLE] Book review. Leonardo, 6, 267–268.