"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

Santa Clarita, CA: David Rosenboom Publishing. [Distributed by Frog Peak Music, Hanover, NH.]

Interview by V. Plush for Oral History of American Music. (New Haven, CT: Yale University).

(Santa Clarita, CA: David Rosenboom Publishing.)

Interview by L. Polansky. Computer Music Journal, 7(4), 40–44. Also in OP Independent Music Magazine, U. (1984). (Olympia, WA: Lost Music Network), 49-51. Also in Roads, C. (Ed.). (1989). The music machine, selected readings from the Computer Music Journal. (Cambridge, MA: The MIT Press), 45-49.

Interview by E. Soltes. City Arts Monthly. (March, 1982). (San Francisco), 17.

Interview by J. Siddall and Timar, A. Musicworks, 21. (Toronto: Music Gallery), 12-14.

Interview by Heather Millar. (October 2, 1980). The Mills Stream. (Oakland, CA: Mills College).

(Berkeley, CA: Buchla and Associates.)