[PDF AVAILABLE FOR DOWNLOAD] An extensive monograph exploring what experimental music can teach us about recognizing and communicating with forms of intelligence other than our own, including examples from several decades of the author's work and with implications for the future of interactive processes and media.
"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."
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[PDF AVAILABLE FOR DOWNLOAD] In Proceedings, The 71st Annual Meeting, 1995 (Reston, VA: National Association of Schools of Music), 19–31.
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