"There are two basic principles of musical structure I rely on. The first is expressed by the force of attraction, (gravity, love, concentration, creation), and the second lies in the idea of repetition, (materialization, duration). My mindfulness of this constitutes the only score. I find I must wait before the beginning of each performance until I am surprised by the first sound I make and the fact that it is made. Then, I feel ready to proceed."

One performer, electrodynamic speaker, 110 volts AC; absurdist gesture about electronic sound.

Analog synthesis and tape manipulation.

Three movements for flute, alto saxophone, viola, and percussion.

Short piece for clarinet, trumpet, and contrabass.

For chamber orchestra (flute, flute/piccolo, oboe, English horn, clarinet, alto saxophone, bass clarinet, bassoon, 2 French horns, trumpet, cornet, tenor trombone, bass trombone, timpani, percussion, piano, strings).

Several pages of graphic scores for any large or small instrumental group, in Collected Scores.

[PDF OF SCORE AVAILABLE FOR DOWNLOAD] For two percussionists, with a doubled trio of piano–celeste, alto saxophone, and cello parts, four–channel sound rotator with speakers around the audience, and the doubled trio realized either by pre–recording the doubled parts using a second remotely located trio with microphones, or by digitally re–synthesizing the instruments; can be performed by five players with optional conductor; players read from score.

Advanced level, from Youthful Music Series, in Music for Keyboard Instruments and Improvisation Groups.

Five movements for string quartet, flute, and bassoon, advanced level, from Youthful Music Series.

One–page score for jazz or improvisation ensemble, in Collected Scores, Frog Peak Music, Hanover, NH.

[SCORE AVAILABLE FOR DOWNLOAD] Relatively easy level, from Youthful Music Series.

For symphonic band, intermediate to advanced level, from Youthful Music Series.